Minggu, 30 Maret 2014

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Remarks on the Foundations of Mathematics (Bilingual Edition) (English and German Edition), by Ludwig Wittgenstein

  • Sales Rank: #2542123 in Books
  • Published on: 1967-01
  • Ingredients: Example Ingredients
  • Number of items: 1
  • Binding: Paperback
  • 408 pages

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0 of 0 people found the following review helpful.
THE PHILOSOPHER’S THOUGHTS ON LOGIC AND MATHEMATICAL THEORY
By Steven H Propp
Ludwig Josef Johann Wittgenstein (1889-1951) was an Austrian-British philosopher whose books such as Tractatus Logico-Philosophicus and Philosophical Investigations are among the acknowledged “classics” of 20th century philosophy. Born into a wealthy family, he gave all of his inheritance away, served in the Austrian Army during World War I, taught schoolchildren in remote Austrian villages, but ultimately taught at Cambridge for many years. The Tractatus was the only book he published during his lifetime, but his papers have been posthumously edited, and notes of lectures taken by his students have been transcribed, and have resulted in many published books, such as Lectures & Conversations on Aesthetics, Psychology, & Religious Belief, Philosophical Grammar, Philosophical Remarks, The Blue and Brown Books, Remarks on the Philosophy of Psychology, Remarks on Colour, Zettel, etc.

The Editor’s Preface states, “The remarks on the philosophy of mathematics and logic, which are published here, were written in the years 1937-1944. After that time Wittgenstein did not again return to this topic. He had written a great deal on this subject in the period 1929 to roughly 1932, part of which we hope to publish later… This earlier work belongs to a stage in Wittgenstein’s development which is still fairly close to the Tractatus Logico-Philosophicus. The remarks presented in THIS volume are of a piece with the thought of Philosophical Investigations.”

He says, “There is a transition from one proposition to another VIA other propositions, that is, a chain of inferences… There is nothing occult about this; it is s derivation of one sentence from another according to a rule… We call it a ‘conclusion’ when the inferred proposition CAN in fact be derived from the premise… Now what does it mean to say that one proposition CAN be derived from another by means of a rule? Can’t anything be derived from something by means of SOME rule---or even according to any rule, with a suitable interpretation? What does it mean for me to say e.g.: this number can bed got by multiplying these two numbers?” (I, §6 & 7)

He observes, “I might also say as a result of the proof: ‘From now on an H and a P are called ‘the same in number.’ Or: this proof doesn’t EXPLORE the essence of the two figures, but it does express what I am going to count as belonging to the essence of the figures from now on. I deposit what belongs to the essence among the paradigms of language. The mathematician creates ESSENCE.” (§32)

He argues, “How is it established which pattern is the multiplication of 13 X 13? Isn’t it DEFINED by the rules of multiplication? But what if, using these rules, you get different results today from what all the arithmetic books say? Isn’t that possible?---‘Not if you apply the rules as THEY do.’ Of course not! But that is a mere pleonasm… Well, it never in fact happens that somebody who has learnt to calculate goes on obstinately getting different results… But if it should happen, then we should declare him abnormal, and take no further account of his calculation.” (§112)

He comments, “The laws of logic are indeed the expression of ‘thinking habits’ but also of the habit of THINKING. That is to say that they can be said to shew: how human beings think, and also WHAT human beings call ‘thinking’… The propositions of logic are ‘laws of thought,’ ‘because they bring out the essence of human thinking’---to put it more correctly: because they bring out, or shew, the essence, the technique, of thinking. They shew what thinking is and also shew kinds of thinking.” (§131, 133)

He notes, “In philosophy it is always good to put a QUESTION instead of an answer to a question. For an answer to a philosophical question may easily be unfair; disposing of it by means of another question it is not. Then should I put a question here, for example, instead of the answer that the arithmetical proposition cannot be proved by Russell’s method?” (II, §5)

He argues, “I want to say: with the logic of Principia Mathematica it would be possible to justify an arithmetic in which 1000 + 1 = 1000; and all that would be necessary for this purpose would be to doubt the sensible correctness of calculations. But if we do not doubt it, then it is not our conviction of the truth of logic that is responsible. When we say in a proof” ‘This MUST come out’---then this is not for reasons that we do not SEE. What convinces us---THAT is the proof; a configuration that does not convince us is not the proof, even when it can be shewn to exemplify the proved proposition. That means: it must not be necessary to make a physical investigation of the proof-configuration in order to shew us what has been proved.” (§39)

He goes on: “We incline to the belief that LOGICAL proof has a peculiar, absolute cogency, deriving from the unconditional certainty in logic of the fundamental laws and the laws of inference. Whereas propositions proved in this way can after all not be more certain than is the correctness of the way those laws of inference are APPLIED. The logical certainty of proofs… does not extend beyond their geometrical certainty.” (§43)

He states, “EXPERIENCE teaches us that we all find this calculation correct. We start ourselves off and get the result of the calculation. But now… we aren’t interested in having---under such and such conditions say---actually produced this result, but in the pattern of our working; it interests us as a convincing, harmonious pattern---not, however, as the result of an experiment, but as a PATH.” (§69)

He notes, “We went sleepwalking along the road between abysses. But even if we now say: ‘Now we are awake’---can we be certain that we shall not wake up one day? (And then say: so we were asleep again.) Can we be certain that there are no abysses now that we do not see? But suppose I were to say: The abysses in a calculus are not there if I don’t see them! Is no demon deceiving us at present? Well, if he is, it doesn’t matter. What the eye doesn’t see the heart doesn’t grieve over.” (§78)

He comments: “‘Only the proof of consistency shews me that I can rely on the calculus.’ What sort of proposition is it, that only THEN can you rely on the calculus? But what if you do rely on it WITHOUT that proof! What sort of mistake have you made?” (§84)

He says, “Consider also the rule which forbids one digit in certain places, but otherwise leaves the choice open. Isn’t it like this? The concepts of infinite decimals in mathematical propositions are not concepts of series, but of the unlimited technique of expansion of series.” (IV, §19)

He asserts, “Everything I say really amounts to this, that one can know a proof thoroughly and follow it step by step, and yet at the same time not UNDERSTAND what it was that was proved. And this in turn is connected with the fact that one can form a mathematical proposition in a grammatically correct way without understanding its meaning. Now when does one understand it? I believe: when one can apply it.” (§25)

He contends, “The curse of the invasion of mathematics by mathematical logic is that now any proposition can be represented in a mathematical symbol, and this makes us feel obligated to understand it. Although of course this method of writing is nothing but the translation of vague ordinary prose.” (§46)

He concludes, “The philosopher is the man who has to cure himself of many sicknesses of the understanding before he can arrive at the notions of the sound human understanding. If in the midst of life we are in death, so in sanity we are surrounded by madness.”(§53)

As always, Wittgenstein’s ideas are provocative, stimulating, and often profound. This book will be of great value to anyone studying his thought (particularly in its less-“linguistic” manifestations).

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Sabtu, 29 Maret 2014

[U484.Ebook] Get Free Ebook 31, by Upendra Namburi

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31, by Upendra Namburi

March looks like it's going to be the merriest month of the year.... 31 gives you a ringside view of the 31 most combative days in Ravi's dramatically altered life. It is not only ambition and ethics that are thwarting him, but an enemy whom he sees every day, but does not recognise. In this corporate thriller, Upendra Namburi gets us to live and breathe the travails of his primary character. Because what happens to Ravi Shastry could happen to any of us!

  • Sales Rank: #11443329 in Books
  • Published on: 2012-01-12
  • Original language: English
  • Dimensions: .0" h x .0" w x .0" l, .46 pounds
  • Binding: Paperback
  • 428 pages

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0 of 0 people found the following review helpful.
Extremely Slow!
By Savar Suri
This book...ah!Again, I had expected a lot ONLY to turn up TRULY disappointed by this book and its *LACK* of a strong narrative and a convincing storyline! Numbers,figures,excessive technicalities plague it.. Still given it 2 stars for the cover image and the vision of the author for creating a series of books known by "Numbers"!

0 of 0 people found the following review helpful.
Racy, corporate thriller
By Ajoyk
Thank God, I picked up the book over a weekend. Read it straight through without a break.
Waiting for the next one Mr. Namburi.

0 of 0 people found the following review helpful.
Two Stars
By Amazon Customer
Nothing special to read the book. Unable to understand the need to such complicated scene.

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Senin, 24 Maret 2014

[M388.Ebook] Ebook Free Media, Gender and Identity: An Introduction, by David Gauntlett

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Media, Gender and Identity: An Introduction, by David Gauntlett

Popular media present a vast array of stories about women and men. What impact do these images and ideas have on people’s identities?

The new edition of Media, Gender and Identity is a highly readable introduction to the relationship between media and gender identities today. Fully revised and updated, including new case studies and a new chapter, it considers a wide range of research and provides new ways for thinking about the media’s influence on gender and sexuality.

David Gauntlett discusses movies such as Knocked Up and Spiderman 3, men’s and women’s magazines, TV shows, self-help books, YouTube videos, and more, to show how the media play a role in the shaping of individual self-identities.

The book includes:

  • a comparison of gender representations in the past and today, from James Bond to Ugly Betty
  • an introduction to key theorists such as Judith Butler, Anthony Giddens and Michel Foucault
  • an outline of creative approaches, where identities are explored with video, drawing, or Lego bricks
  • a Companion Website with extra articles, interviews and selected links, at: www.theoryhead.com.

  • Sales Rank: #135455 in Books
  • Published on: 2008-04-13
  • Released on: 2008-03-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .76" w x 6.14" l, 1.05 pounds
  • Binding: Paperback
  • 336 pages

Review

Praise for the first edition:

"Gauntlett’s optimism is infectious, the subject matter engaging, and, as a result, the book is difficult to put aside. It is a thoroughly pleasurable introduction to the ties between self-identities and representations of gender in media." - Anne E. Lincoln in Journal of Consumer Culture (2003)

"Brings the theory of popular culture to the widest possible audience ... Delightful and provocative." - Charlie Peverett of HERO (2002)

"The value of Gauntlett's work is his engagement with feminism and issues of masculinity in ways which...appeal to students." - Nic Groombridge, St Mary's University College

About the Author

David Gauntlett is Professor of Media and Communications at the University of Westminster, London. He is the author of several books on media audiences and identities, including Moving Experiences (1995, 2005) and Creative Explorations (2007). He produces Theory.org.uk, the award-winning website on media, gender and identity.


 

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17 of 17 people found the following review helpful.
excellent introduction, not only for media students!
By Sarkk
There are dozens of books on popular culture and its relation to gender and identity issues out there, but this one is extraordinary: concise, up-to-date, and very readable. Mr Gauntlett wrote not only an introduction to the main theories of popular culture like Giddens, Foucault or queer theory - he illustrated all the discussed theoretical concepts with recent examples like movies, TV series, music, websites, and magazines.
If you are a student of media studies and always wanted to know how popular culture influences our lifestyles and our concepts of gender and identity - grab this book! It is well written and clearly structured with plenty of cross-references and suggestions for further reading. A unique feature is the accompanying website where additional material can be found.

5 of 5 people found the following review helpful.
Media, Gender and Identity: An Introduction (2nd ed.)
By S. Munchow
The language is accessible and the ideas enlightening, (although the author has a terribly annoying fondness for the word 'whilst'). I am just a little over half way through the book, but I am pleased so far at what seems to be the conciseness of this overview of gender, media and identity. This book is perfect for a beginner like myself.

3 of 3 people found the following review helpful.
This book was very useful in class
By Kristia Worthy
This book provided a lot of insight that was relevant to the information covered in my women and gender studies course.

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Minggu, 23 Maret 2014

[V461.Ebook] Download PDF Basic Finance: An Introduction to Financial Institutions, Investments and Management, by Herbert B. Mayo

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Basic Finance: An Introduction to Financial Institutions, Investments and Management, by Herbert B. Mayo

BASIC FINANCE: AN INTRODUCTION TO FINANCIAL INSTITUTIONS, INVESTMENTS & MANAGEMENT, 10E, by Herbert B. Mayo discusses the three primary aspects of finance-financial institutions, investments, and management and examines how they are interrelated using a modular format. Each chapter offers a concise, self-contained treatment of one or two finance concepts or institutions easily covered in a single class period. BASIC FINANCE, 10E, provides a strong finance foundation that students can build on using Internet resources and sample number problems, cases, and calculator solutions that use a Microsoft Excel appendix. The text introduces the time value of money using three approaches to reinforce the concept--interest tables, financial calculator keystrokes, and investment analysis calculator software created specifically for the Mayo books.
Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

  • Sales Rank: #576332 in eBooks
  • Published on: 2011-03-25
  • Released on: 2011-03-25
  • Format: Kindle eBook

About the Author
Dr. Herbert Mayo teaches finance at The College of New Jersey and is a former Director of Accreditation. A well-respected author and experienced educator, he has written several successful books focusing on critical finance issues and today's investment opportunities. He earned his PhD from Rutgers University and his undergraduate degree from the University of North Carolina at Chapel Hill.

Most helpful customer reviews

5 of 6 people found the following review helpful.
Terrible textbook for an intro finance course
By ElleYuzhian
This book is borderline worthless for an intro finance course resource. I ended up going outside of the text for most assignments and pooling the resources of Investopedia and other financial websites. Even Wikipedia typically had more to offer than this quagmire of calculus equations. The book offered examples with insufficient explanation, and glossed over important materials that one would need to master for such a course. I don't know whose decision it was to change the required text to this mess, but shame on them.

1 of 1 people found the following review helpful.
Well Written
By ARELENA FAGAN
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Informative
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Jumat, 21 Maret 2014

[Y585.Ebook] Ebook Download Oxford AQA History for A Level: The Cold War c.1945-1991, by John Aldred, Alexis Mamaux

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Retaining well-loved features from the previous editions,The Cold War is approved by AQA and matched to the new 2015 specification.This textbook explores in depth the evolving course of international relations during an era of tension between communist and capitalist powers. It focuses on key ideas such as communism and anti-communism, aggression and detente, and the power of nuclear technology, and covers events and developments with precision. Students can further develop vital skills such as historical interpretations and source analyses via specially selected sources and extracts. Practice questions and study tips provide additional support to help familiarize students with the new exam style questions, and help them achieve their best in the exam.

  • Sales Rank: #1188680 in Books
  • Published on: 2015-11-19
  • Dimensions: 10.43" h x .43" w x 7.68" l, 1.28 pounds
  • Binding: Paperback
  • 240 pages

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Senin, 17 Maret 2014

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  • Sales Rank: #13986539 in Books
  • Published on: 1980
  • Binding: Paperback

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Minggu, 16 Maret 2014

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This 39th edition of Medicines, Ethics and Practice: The professional guide for pharmacists is the Royal Pharmaceutical Society's established professional guide for pharmacists.

  • Sales Rank: #2497965 in Books
  • Published on: 2015-07-31
  • Original language: English
  • Dimensions: 11.25" h x 8.00" w x .25" l, 1.38 pounds
  • Binding: Paperback
  • 202 pages

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The Story of the Stone: Or, The Dream of the Red Chamber, Vol. 3: The Warning Voice, by Cao Xueqin

The Story of the Stone (c. 1760), also known by the title of The Dream of the Red Chamber, is the great novel of manners in Chinese literature.

Divided into five volumes, of which The Warning Voice is the third, it charts the glory and decline of the illustrious Jia family (a story which closely accords with the fortunes of the author's own family). The two main characters, Bao-yu and Dai-yu, are set against a rich tapestry of humour, realistic detail and delicate poetry, which accurately reflects the ritualized hurly-burly of Chinese family life. But over and above the novel hangs the constant reminder that there is another plane of existence - a theme which affirms the Buddhist belief in a supernatural scheme of things.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

  • Sales Rank: #79498 in Books
  • Published on: 1981-01-29
  • Released on: 1981-01-29
  • Original language: Chinese
  • Number of items: 3
  • Dimensions: 7.76" h x 1.16" w x 5.06" l, .93 pounds
  • Binding: Paperback
  • 640 pages

About the Author
Cao Xueqin (1715-63) was born into a family which for three generations held the office of Commissioner of Imperial Textiles in Nanking, a family so wealthy they were able to entertain the Emperor four times. However, calamity overtook them and their property was consfiscated. Cao Xueqin was living in poverty when he wrote his famous novel The Story of the Stone.

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22 of 27 people found the following review helpful.
Good Attempt on Translating difficult Chinese
By A Customer
I have just finished reading the Chinese Version of the story (which I would rate as 5 stars), and thought, although the English Version is pretty accurate, it somehow lacks the fluency the story should have. Because of the difficulty for foreign people to imagine the situation, readers are not involved in the story as much and is therefore less effective than some books like the Wild Swan. The translation has definitely lost some tastes from the Chinese version. However if you are a foreigner who wants to explore Chinese culture, or a person who does not understand written Chinese very well (like me), this is still the book to read,for this is a book that can endure repeated reading such that one can inevitably find more and more traces of Cao Xueqin's ingenuity.

6 of 6 people found the following review helpful.
Warning voices to presage the decadence of the Jia
By Matthew M. Yau
Volume 3 finds the significant idea in Buddhist that one would open his eyes to the vanity of human affections and causes a person to renounce the world, for one no longer subscribes to the conventions of the mundane, dust-stained world and thrives to be detached from it.

The title of this gripping, escalating volume, The Warning Voice, duly confirms the intractable decadence of the Jias. Tolstoy's opening line in Anna Karenina best describes the unfavorable miasma - "All happy families are alike; each unhappy family is unhappy in its own way." Outsiders look at the Jias and all its wealth and immediately think how happy the Jias must be, they don't realize the vexations far outweigh the advantages and privileges. Being a big family with its numerous maids' converting to mistresses and concubines, daily fuss and drama are inevitable. These mistresses are conceited, usually full of their own importance, and always take offense at the most trivial matter, and at the slightest bit of cross do they begin to spread rumors to stir up trouble. It is under such quarrelsome milieu that the Jias gradually wanes. Volume 3 begins with the domestic hierarchy of maids in the house and how in the sabbatical of Xi-feng from managing house duties the well being of the family is left at the mercy of the senior maids.

In the event of an imperial member's death, the Jia ladyships take to daily excursion to the palace where they attend ceremonies during the mourning period (usually spans 100 days during Ming and Qing dynasties). Their stewards and stewardesses are no less occupied with accompanying them and seeing that preparations are readied ahead of time. Lacking discipline normally imposed by these officers and being deprived of Xi-feng's invidiously stringent implementation of rules on the operation of the house, domestics of both mansions (Rong and Ning) grow slovenly in the duties. Some take advantage of the exceptional circumstances to allay themselves with those placed temporarily in charge. Others, like the ex-actresses who remain under the Jias' patronage, become so imperious, demanding and fastidious about their commodities that the servants remain silent to avoid disputations. The urgent call for economizing adds fuel to the flame as the household is plagued by quarrel over the harvest of the garden, which is divided up among the growers and keepers. In a matter of weeks, happenings within the mansion render the whole place in a state of mutiny. The Rong and Ning mansions are inevitably left at the mercy of the few loyal, experienced senior maids who even go as far as bending authority to spare an innocent maid the accusation of stealing.

Some of the most memorable scenes of THE DREAM OF THE RED CHAMBER are indubitably those that concern Jia Lian's secret second marriage and its aftermath. The cunning Xi-feng deliberately conceals her knowledge of the shameful matter and executes her plan silently. Keeping her anger at bay and taking advantage of her rival's lacking in guile, Xi-feng entreats her rival to live with her, feigns kindness and makes her rival feel reassured about her future in the bosom of so delightful a family. Xi-feng's forbearance and outward gesture of kindness greatly mystify everyone who knows about the matter but little does anyone know about her true intent to rid of this new mistress. The treacherous Xi-feng surreptitiously draws up a fictitious court case accusing her own husband of taking an unlawful wife during national mourning and family mourning in order to rid of her rival indirectly. Her strategy is to stir up a betrothal agreement concerning her rival in the old days and manipulates the formerly affianced to bring a written indictment against her own husband before the court.

Insubordination and deterioration of moral standard infest the garden and infuriate Lady Wang. In her opinion each one of the maids in the garden is potential corrupter of her son Bao-yu. She orders a raid of the garden at the awestruck finding of a lewd picture. Secret investigation on the obscene brick-a-brac immediately takes place with such single-minded persistence and orders all maids to be subjected to her scrutiny. The unforeseen incidence raises alarm in Lady Wang about Bao-yu's squandering his time in the garden. Bao-yu is unprepared for the raging tempest that has just passed over him. The things his mother charges the maids with so uncanny a knowledge of even his most intimate conversations with them that there seem a little point in denial.

This volume faintly presages Bao-yu's determination to grip his own destiny. He thrives to live his life as he wants to and recognizes life'' uncertainty. This is significant in his defiance over the family-decided marriage to Bao-chai and his firm refusal to let go of his feeling and affection for Lin Dai-yu. It can be inferred that in his ineffable pain of losing Dai-yu that he has conceived the incipient thought to break away from the dust-stained world. Buddhist teaching dictates the second half of this climax-reaching volume of the novel. At the depletion of wealth and the dimming of glitter the truth of Buddha outshines the taste of luxury that is proven to be vanity at best. Out of the sea of suffering, one might turn the light and resolve to abjure the world and its vanities in order to prepare for the life to come. This idea burgeons toward the end of The Warning Voice as a sign and will be further explored in Volume 4.

2 of 2 people found the following review helpful.
This is wonderful Chinese Literarure
By scott michael
I have now read all three volumes of the David Hawkes' translation of 'The Dream of the Red Chamber' and I am simply blown away by the sheer volume of the text, and how there is never a dull moment. Not only is it a beautiful love story, but it is also a semi autobiographical account of the rise and fall of Cao Wue-Qin's family. I love modern Chinese writers like Mo Yan and Yu Hua, but I must say this novel is a must read for anyone wishing to understand Chinese Literature. My wife is Chinese and she knows this work from her days in school, and she said that it must have been very hard to translate the old Chinese into Modern English, but I would say that Mr. Hawkes' version is true and as close as one can get to an excellent translation of an enormous tome. I would just stick to these 3 volumes with the 80 chapters - and enjoy. This is truly a great piece of world literature that should be read.

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[R428.Ebook] Ebook Free Mozart at the Gateway to His Fortune: Serving the Emperor, 1788-1791, by Christoph Wolff

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Mozart at the Gateway to His Fortune: Serving the Emperor, 1788-1791, by Christoph Wolff

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Mozart at the Gateway to His Fortune: Serving the Emperor, 1788-1791, by Christoph Wolff

ASCAP-Deems Taylor Award winner

A fresh look at the life of Mozart during his imperial years by one of the world's leading Mozart scholars.

"I now stand at the gateway to my fortune," Mozart wrote in a letter of 1790. He had entered into the service of Emperor Joseph II of Austria two years earlier as Imperial-Royal Chamber Composer―a salaried appointment with a distinguished title and few obligations. His extraordinary subsequent output, beginning with the three final great symphonies from the summer of 1788, invites a reassessment of this entire period of his life. Readers will gain a new appreciation and understanding of the composer's works from that time without the usual emphasis on his imminent death. The author discusses the major biographical and musical implications of the royal appointment and explores Mozart's "imperial style" on the basis of his major compositions―keyboard,chamber, orchestral, operatic, and sacred―and focuses on the large, unfamiliar works he left incomplete. This new perspective points to an energetic, fresh beginning for the composer and a promising creative and financial future. 8 pages of illustrations

  • Sales Rank: #977888 in Books
  • Published on: 2012-05-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.60" h x .90" w x 5.80" l, .88 pounds
  • Binding: Hardcover
  • 272 pages

Review
At last, we have a text that values the relationships between theory and practice, embraces best practice ideals in the context of real-world uncertainty, and celebrates eclectic therapeutic approaches for aging adults and their families. Piercy guides the reader through an array of complex clinical problems, offering effective interventions. If you work with older adults and their families, this text isessential! --Shirley S. Travis, PhD, APRN, FAAN, Dean and Professor, College of Health and Human Services, George Mason University

This book is a must-read for all graduate students preparing for clinical careers as well as seasoned therapists and other human service professionals working with aging families. Each carefully written chapter describes contemporary issues that frequently challenge the mental health of older adults and provides sound, innovative strategies for working through these concerns with individuals, couples, and families. --Karen A. Roberto, PhD, Professor and Director, Center for Gerontology, Virginia Polytechnic Institute and State University

A wonderful merging of research findings and practical guidance. --Peter V. Rabins, MD, MPH, Professor of Psychiatry, Johns Hopkins University School of Medicine

In this enthralling tale of Mozart's imperial appointment and his late torrent of compositions, Christoph Wolff argues, with compelling authority, that those musical triumphs--including the Requiem--point not to an autumnal resignation but toward a propulsive future of complex genius. --Helen Vendler

I was so excited to read Christoph Wolff's remarkable new book, which in one fell swoop dispels myths that arose after Mozart's untimely death. Through his meticulous scholarship, Wolff allows us to reimagine the composer at the apex of his artistic powers and with creative and entrepreneurial plans in place to ensure his continuing artistic output as well as his financial stability. A beloved scholar, Professor Wolff proves his point with revelatory insights that take us into the inner workings of this great composer's mind. --Yo-Yo Ma

Christoph Wolff's remarkable and splendidly readable book presents a new and welcome picture of Mozart's final years. Without resorting to polemics, it disposes of myths and misconceptions by offering facts and sound judgment. Wolff is a master of minute scholarly research that comprises the circumstances of Mozart's life as well as the music itself. Countering the widespread concept of a decline of Mozart's powers, he perceives his latest works, finished and unfinished, as being the point of a new departure--cruelly curtailed by Mozart's death. I shall listen to the Magic Flute, the Requiem, the clarinet quintet, and the E-flat masterpieces--string trio and string quintet--with sharpened ears. --Alfred Brendel

For years I've been wondering and the question becomes ever more cogent, what puzzling new language Mozart used for his three symphonies and even the Magic Flute. It is a new Mozart, and we cannot simply continue as before. Why? What is it? What does it mean today? To the performer, to the listener? Now I found a helping hand in Christoph Wolff's unexpectedly novel book. We musicians, used to helping ourselves, gratefully embrace his assistance. --Nikolaus Harnoncourt

I was so excited to read Christoph Wolff s remarkable new book, which in one fell swoop dispels myths that arose after Mozart s untimely death. Through his meticulous scholarship, Wolff allows us to reimagine the composer at the apex of his artistic powers and with creative and entrepreneurial plans in place to ensure his continuing artistic output as well as his financial stability. A beloved scholar, Professor Wolff proves his point with revelatory insights that take us into the inner workings of this great composer s mind. --Yo-Yo Ma"

Christoph Wolff s remarkable and splendidly readable book presents a new and welcome picture of Mozart s final years. Without resorting to polemics, it disposes of myths and misconceptions by offering facts and sound judgment. Wolff is a master of minute scholarly research that comprises the circumstances of Mozart s life as well as the music itself. Countering the widespread concept of a decline of Mozart s powers, he perceives his latest works, finished and unfinished, as being the point of a new departure cruelly curtailed by Mozart s death. I shall listen to the Magic Flute, the Requiem, the clarinet quintet, and the E-flat masterpieces string trio and string quintet with sharpened ears. --Alfred Brendel"

In this enthralling tale of Mozart s imperial appointment and his late torrent of compositions, Christoph Wolff argues, with compelling authority, that those musical triumphs including the Requiem point not to an autumnal resignation but toward a propulsive future of complex genius. --Helen Vendler"

Any book by the eminent scholar Christoph Wolff comes with the guarantee of fresh musical insights and a magisterial command of the sources. His latest book on Mozart is no exception. It will help to demystify and transform our understanding of the composer s final years. --Sir John Eliot Gardiner"

For years I ve been wondering and the question becomes ever more cogent, what puzzling new language Mozart used for his three symphonies and even the Magic Flute. It is a new Mozart, and we cannot simply continue as before. Why? What is it? What does it mean today? To the performer, to the listener? Now I found a helping hand in Christoph Wolff s unexpectedly novel book. We musicians, used to helping ourselves, gratefully embrace his assistance. --Nikolaus Harnoncourt"

A truly different and exciting look at the last years of Mozart s life. I was especially captivated by the last chapter Mr. Wolff s penetrating comments on Mozart s compositional method are illuminating and also somehow make his genius more personal for us. --Emanuel Ax"

About the Author
Christoph Wolff, a Pulitzer Prize finalist, is the Adams University Professor at Harvard University and one of the world’s foremost experts on Bach and Mozart. He lives in Cambridge, Massachusetts.

Most helpful customer reviews

22 of 22 people found the following review helpful.
Mozart at the Gateway to his Fortune
By Robert H. Spaethling
"Mozart at the Gateway to his Fortune" is a new book by the distinguished Bach and Mozart scholar Christoph Wolff. The book takes its title from a quote by Mozart who, after he had been appointed "Imperial Court Composer" in Vienna in 1787, exclaimed subsequently: "I now stand at the gateway to my fortune." Ironically and sadly, Mozart died soon thereafter and never walked through that gate of fortune.
Christoph Wolff presents a detailed account of Mozart's life and works during his final three years, 1788 to 1791, and he decisively challenges a long-held scholarly and popular belief that Mozart was worn out, that he anticipated his early death, and that he wrote some of his late works as farewell gestures to the world. Not so, argues Professor Wolff. He shows that Mozart not only remained focused and energetic (even though he was often worried and sick), but he re-vitalized his music with novel combinations of sound and structures, which we can hear in his last three symphonies, his last two operas, his late concerti, chamber and liturgical works. Cases in point are "Die Zauberflöte," "La clemenza di Tito," the "Requiem." In all these works Mozart not only expanded the genre but re-invented it. In "Die Zauberflöte" he changed the desgnation from "singspiel" to "große Oper" (grand opera), indicating a new and wider range of musical and dramatic effects, and in the case of "La clemenza di Tito" he added to the traditional concept of "opera seria" the designation of "vera opera" (a true opera) in his thematic catalogue. Even in his final and unfinished work, the "Requiem," he attempted to create a new and "pure" musical expression. Most intriguing perhaps is Christoph Wolff's finding that Mozart, who had become thoroughly familiar with Bach's and Handel's counterpoint and polyphonic techniques in Vienna, was alert, inventive, and adventurous enough in his final years that he used the compositional designs of the old masters to create his own "modern" and personal musical language.
Christoph Wolff's book is relatively slim and concise, yet it contains a rich assortment of illustrations of Mozart autographs and offers a rare account of the composer's unfinished sketches (ca. 140 pieces), music "composed," as Mozart once wrote, "but not yet written." Wolff's presentation is detailed, painstaking,intelligent, and unsentimental. It not only offers a new understanding of Mozart's depth of creativity in his final years, but it is one of the most enlightening contributions to Mozart scholarship in general.
Robert Spaethling, author of "Mozart's Letters, Mozart's Life."

2 of 2 people found the following review helpful.
A MOZART IN HIS PRIME AND CUT OFF IN HIS PRIME
By Imlac
The various musicians' testimony to the value of this book (e.g., Brendel, Harnoncourt, Gardiner) speaks for itself. Wolff shows us a Mozart, in his own words, at the "gateway" to his fortune, busy, full of ideas, and, alas, leaving behind much unfinished testimony to a number and variety of iworks he never completed. This book stimulatingly challenges a number of shaky assumptions about Mozart's career and especially his later career..

3 of 4 people found the following review helpful.
Good book.
By Ricardo Mena Cuevas
This book tries to dispel the fact that
Mozart was at an end mentally by
1591.

It is very well written and the thesis
that he was in 1791 in the beginning
of a new phase (musically) is well defended.

But mentally, and that is the point above all,
as many have shown (Maynard Solomon, *Mozart: A Life*, 1995),
Mozart felt not that great as Wolff tries to show.

Indeed, the fact that Wolff does not answer
Solomon's statements, based on many evidences,
like Constance's declaration that her husband thought
that he has been poisoned (clear mental depression)
or Mozart's feelings about the sweet death as a liberation,
convince me still that Mozart's "imperial style" was his great
goodbye.

If Wolff had tried to answer Mozart's letter to his father
dealing about death or the reports of Mozart's intimate circle
that he was feeling alone and empty, in short, Mozart's personal
(not musical) isolation, then this book would have
been circularly perfect. As it is, it needs to answer Solomon who
stands for me, here, as the most penetrating analyst of Mozart
as composer AND man.

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